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Community Capital: an Afrofuturism South Philly Walking Experience

We acknowledge that the land on which we gather are the ancestral lands of the Lenni Lenape people, whose presence and resilience in Pennsylvania continues to this day. We take this opportunity to honor the original caretakers of this land and recognize the histories of land theft, violence, erasure, and oppression that has brought us here.

We speak ourselves into existence. But, what happens when others of the world silence your tones to cacophony their worth? As part of the Painted Bride Art’s Center “Power to the Prompt" conversation, Community Capital: an Afrofuturism South Philly Walking Experience, curated and written by TS Hawkins & Lois Moses, illuminates an intersectional poetic expedition of sound and unearthing through the streets of South Philadelphia. Letting ancestors guide permeable possibilities, this walking tour opens multiple dimensions of storytelling that ignite the expansion of mind, body, and spirit! Journeying fixed and beyond, participants will have the opportunity to connect with intergenerational voices searching for an equitable community one neighborhood at a time!

  • Launch Date
    • October, 7th 2021
  • Walking Guide
    • Coming Soon!
  • Community Capital MoodList

TS HAWKINS they/them (Lead Artist) is an international author, performance poet, art activist, playwright, and member of the Dramatists Guild. Plays, short works, and books include Seeking Silence, Cartons of Ultrasounds, Too Late to Apologize, They’ll Neglect to Tell You, #RM2B, The Secret Life of Wonder: a prologue in G, AGAIN, #SuiteReality, “don’t wanna dance with ghosts...”, Sugar Lumps & Black Eye Blues, Confectionately Yours, Mahogany Nectar, Lil Blaek Book: all the long stories short, and The Hotel Haikus. Hawkins’ one-act choreopoem, AGAIN, was acknowledged for having the “Best Theater Moment of 2017”. #SuiteReality received the 2017 “Theatrical Reality Check” Surya Bonaly Award, an international publication in WORDPEACE Literary Journal, showcased in Chicago at the Goodman Theatre for the Black Lives, Black Words International Theatre Festival, and shares residence at the Carnegie Mellon University Hunt Library. Cartons of Ultrasounds had the pleasure of returning to New York for a limited off-Broadway run to rave reviews. Recently, The Secret Life of Wonder: a prologue in G graced Australian stages as part of Antipodes Theater Company's Ricochet Reading Series! Hawkins' residency credits include National Black Theatre SOUL Producing Resident, Swim Pony Performing Arts TrailOff Writer-in-Residence, 1812 Productions’ Jilline Ringle Solo Performance Residency, Out of Exile Artist-in-Residence, Irondale Ensemble “To Protect, Serve, and Understand”, Painted Bride Art Center’s Souls of Black Folk, and Alphabet Arts Puppets & Poets. Notable writing contributions include Rising Voices: Poems Towards a Social Justice Revolution (University Professors Press), Closet Cases: Queers on What We Wear (Et Alia Press), Family Legacies (SONKU Collective Magazine), WORDPEACE Literary Magazine/vol. 2 Spring Edition, Fragrance of Love (Poet Tree), and Long Wharf Theatre Blog Series.

LOIS MOSES she/her (Collaborator/Videographer) is a Philadelphia native holding a Master of Fine Arts degree from the University of California, a law degree from Temple University and is a graduate of LaSalle University’s Master’s program in Clinical Psychology. Her publications include Not Just Another…Black/Woman, Missing Pages… (Women Behind the Glass Door), A Timely Trinity, Freedom Not Them Give, and a self-titled spoken word CD. Using her theater, music, and dance background, Moses creatively combines art forms to produce powerful performance art. Moses conducts motivational workshops for women and men, geared toward addressing the necessity of healing and self-evaluation. Her award-winning short film And They Jumped Into the Water…Some has been touring at colleges and conferences with her Woman to Woman Conversation: Beyond Sound and Fury…Sacrifice as the True Poetic Voice; a poetry and multimedia presentation exploring the evolution of the sacrifice, courage, and voice of African American women in America. The world premiere of her acclaimed play, Say That He Had More Than a Dream…; a piece chronicling the last years of Martin Luther King’s life after his controversial “Beyond Vietnam” Speech at Riverside Church in 1967, debuted at First World Theatre in 2016, and in 2017 toured at the Match Theatre directed by Zuhairah McGill. Visit here to learn more!

PAINTED BRIDE ARTS CENTER (Power to the Prompt) is the Painted Bride’s citywide project supporting courageous conversations across difference — race, belief, neighborhood etc. Sparking authentic connections in Philly across all walks of life by using the arts and creative thinking to cultivate trust, respect and deeper understanding, Phase 1 of the project includes multimedia community engagement to build bridges across social distance and division. Afterwards, the answers will be shared anonymously on the Painted Bride website and across social media. Phase 2 of the project will include performances created from the responses. Visit the website to learn more!

DR. KIMMIKA LH WILLIAMS-WITHERSPOON she/her (Historian) holds a PhD in Cultural Anthropology, an M.A. in Anthropology, an MFA in Theater, a Graduate Certificate in Women's Studies, and a B.A. in Journalism. Currently, she is an Associate Professor of Urban Theater and Community Engagement in the Theater Department in the School of Theater, Film and Media Arts in the Center for the Performing and Cinematic Arts, in addition to, being the President-elect of the Faculty Senate at Temple University. Williams-Witherspoon is the author of Through Smiles and Tears: The History of African American Theater - from Kemet to the Americas (Lambert Academic Publishing, 2011) and The Secret Messages in African American Theater: Hidden Meaning Embedded in Public Discourse (Edwin Mellen Publishing, 2006). Williams-Witherspoon served as principal investigator on the $50,000 Lumina Foundations Fund for Racial Justice and Equity Grant (2018-19) for the Interactive Community Conversations and performance, Moving from Safe Space to Brave Space. Awards and other grants include 2021 Vice Provost of the Arts Award, The North Broad Press Open-Book Award, 2020, TUAA Stauffer Faculty Service Award, 2013 Miriam Maat Ka Re Award for scholarship, 2013 Associate Provosts Arts Grant; 2008 Seed Provost’s Grant, 2003 Provost’s Arts Grant, 2001 Independence Foundation Grant, 2000 PEW Fellowship, 1999 Daimler-Chrysler National Poetry Competition, 1996, Lila Wallace Creative Arts Fellowship with the American  Antiquarian Society, a two-time returning playwright with the Minneapolis Playwrights' Center, and Pew Charitable Trusts Playwrights Exchange. Williams-Witherspoon has had over 34 plays produced. Stage credits include over 20 productions, 8 one-woman shows, and poetry performances in over 118 national & international venues. Williams-Witherspoon is a contributing poet to 44 anthologies, author of 11 books of poetry & 9 book chapters, 10 journal articles, and 2 books on African American Theater. Accompanying her vast awards and citations, Williams-Witherspoon's scholarly work centers around pedagogy, women’s issues, the African diaspora, performance rituals, and community engagement. Visit here to learn more!

MARIE LASTER she/her (Walking Guide Illustrator) is a set designer born and raised in Philly. Scenic design credits include Untitled (Inis Nua Theatre), Cry it Out, Natural Shocks (Simpatico Theatre), Donna Orbits the Moon (Tiny Dynamite), The Agitators (Theatre Horizon), Rachel (Quintessence Theatre), Looking Over the President's Shoulder (Act II Playhouse). Marie received a Bachelor of Architecture degree from Philadelphia University and enjoys channeling her creative energy through the scenic design process. Visit here or follow on Instagram!

MORGAN CHARÉCE HALL she/her/they (Research Assistant) is an actor, teaching artist, director and creative from Philadelphia. She received her MFA in Theatre from the University of Alabama in May 2018 where she taught for two years. Upon graduation she co-founded the Sankofa Theatre Ensemble, a devised movement theatre ensemble based out of Stillman College in Tuscaloosa, Alabama. After earning her MFA., she had the honor of receiving the Allen Lee Hughes fellowship at Arena Stage in Washington, DC where she served as the Education and School Programs Fellow in the Community Engagement department. During her fellowship she served as a teaching artist, researcher and directed 3 Voices of Now ensembles (Arena Stage’s devised theater ensembles where she worked with middle school students throughout Washington D.C. and Fairfax, VA.). She currently serves as a teaching artist at The Discovery Theatre, Shakespeare Theatre Company, and various non-profits in Washington DC and Philly. Morgan Charéce is interested in creating sacred spaces where Black and Indigenous people can tell their stories on their own terms. She would like to thank God, her mother and her ancestors for supporting her always and instilling in her a strong commitment to artistry and activism. She would also like to thank TS for their dedicated artistry, guidance, and energy.  Asé

Dotty's Creative Creations, LMDA (Literary Managers & Dramaturgs of the Americas) Conference, Moses Line Productions, PrimeAct Media, SIFTMedia 215


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